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Culture Ways of Life and Wisdom

Lakhon Chatri

Heritage of Singing and Dancing

Lakhon Chatri is one of the oldest forms of Thai traditional performing arts that link between

the dramatic performances of the Central region and the Nora dance of the Southern region. It is

filled with the beliefs in fortune and holiness which influence the livelihoods and lifestyles of Thai

people.

The origin of the word

“Chatri”

is discussed on several assumptions. For instance,

“Chatri”

may refer to a master of weaponry, who knows the methods of protecting himself from all kinds

of weapons. Or, it could be a slightly different pronunciation of a Sanskrit word

“Kasatriya”

to

“Chattriya”

, and it became further distorted to

“Chatri”

after entering Thailand. This hypothesis is

based on the performance of Lakhon Chatri which presents the story about kings of the costume of

ancient kings. On the other hand, Chatri may be derived from the word

“Yatri”

or

“Yatra”

, which

mean

“to wander”

, in accordance with a mobile troupe in India called

“Chatri”

.

After its widespread popularity in the Southern region, Lakhon Chatri was introduced to

Bangkok in 1769 AD, when King Taksin of Thonburi led the army to suppress the ruler of Nakhon

Si Thammarat and brought several people including the Lakhon Chatri troupes to the capital of

Thonburi. Later in 1780 AD, on the occasion of celebrating the Emerald Buddha Statue, King

Taksin commanded the ruler of Nakhon Si Thammarat’s Lakhon Chatri troupe come to Thonburi

for performance in the royal court. Next in 1832 AD, during King Rama III’s reign, Somdet Chao

Phraya Borom Maha Prayurawongse (Dit Bunnag), then Head of the Royal Treasury, led the army to

suppress an uprising in the Southern region and brought back with him some talented performers

of Lakhon Chatri. Banding as a performing group later, these performers became well received and

the popularity of Lakhon Chatri continues to younger generations until today.

Women were permitted to act in general

performances during the reign of King Rama

IV, not only limited to men. Lakhon Chatri

performers changed their dress to the costume

of Lakhon Nok and changed Soet to Chada

because of the slimmer shape and suitability to

a woman’s face that makes her look gorgeous.