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Folk Games and Sports

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 177

In the ancient times,

Thai nation often had

battles. Fighting in close

contact in group one by

one with scimitars, swords,

bucklers, Thai solders were

trained by practice and

became experts. Krabi-

Krabong made of wood, rattan,

cow and buffalo leather, were

used as a tool to practice

instead of real weapons

to prevent them from injury

or death.

Krabi-Krabong play is held in a large open space to support movement. Traditionally, before

proceeding with the sport, there must be Wai Khru (pay homage to teachers) every time. The ritual

starts with a dance demonstrating wooden weapons, mixed with a specific dance style of each

troupe or school to showcase the beauty of different choreography. The key dances of Krabi-

Krabong start with

“Khuen Phrom”

which is a dance in four directions. Next,

“Khum”

is a typical

dance to challenge each other by invading to the opponent’s side. Then, it is

“Doen Plaeng”

or

dancing and observing each other to find weaknesses. Players kneel down to perform

“Thawai

Bangkhom (offering obeisance)”

for 3 times, then change the dance weapons to the hitting ones

as a start for the real battle.

In addition to fighting in terms of skills and the use of weapons, at present, Krabi-Krabong

play is also regarded as a martial art of Thailand which brings the music from one Pi Chawa, two

Klong Khaek (double-headed drum) and one Ching (a pair of cymbals) to arouse both players and

audiences.

The costume of the Krabi-Krabong players is inspired by ancient military costumes, such as

pulled up Jung Kraben, inscribed headband, rolled metal amulets or shorts. But it is important to

wear a Mongkhon (sacred headgear) made of twisted unbleached threads as big as Manila rope,

wrapped with another layer of cloth. Both ends of the threads are left protrude.

• Preparation Stance of Krabi player

• Khuen Loi Stance (step up stance)

• Preparation Stance of the Krabong player