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    <pre style="white-space:pre-line"><code>2. เธเธฅเธญเธ เน€เธเนเธเน€เธเธฃเนเธทเธญเธเธ๏ฟฝเธณเธเธฑเธเธเธฑเธเธซเธงเธฐเธ—เนเธตเธเธญเธขเธฃเธฑเธเนเธฅเธฐเธเธฑเธ”เธเธฑเธเธซเธงเธฐเธ—เธฑเธ
                                                           เธ—เนเธตเน€เธฃเธตเธขเธเธงเนเธฒ เธเธฑเธ”เธฅเธนเธเธเธฅเธญเธ เนเธเธฃเธฒเธเธ“เธฐเธซเธเนเธถเธเธกเธตเธเธฅเธญเธ 1 เธฅเธนเธ เธเธ—เธเธฒเธ—เธเธญเธเธเธฅเธญเธ
                                                           เนเธเนเธเธฃเธฃเน€เธฅเธเธเธฃเธฐเธเธญเธเธเธฒเธฃเนเธชเธ”เธ เนเธเธญเธ”เธ•เธต เนเธเธ•เน เน€เธต เธเธทเนเธญเธเธญเธเธเธกเธธ เธเธเธงเนเธฒเนเธเธฃเธฒเธกเธฒเนเธฅเธงเน
                                                           	 2. Klong (a cylindrical drum, played upright with
                                                           wooden sticks) is a percussion instrument that keeps time
                                                           with other percussion instruments and contrasts. It was
                                                           previously used to inform the community that the Nora troupe
                                                           was ready to perform.

	 3. เนเธซเธกเนเธ เน€เธเนเธเธเนเธญเธเธเธนเนเน€เธเนเธเน€เธเธฃเธทเนเธญเธเธ๏ฟฝเธณเธเธฑเธเธเธฑเธเธซเธงเธฐ 2 เธฅเธนเธ เน€เธชเธตเธขเธเนเธซเธฅเธก
เน€เธฃเธตเธขเธเธซเธเนเธงเธขเธเนเธต เน€เธชเธตเธขเธเธ—เธธเนเธกเน€เธฃเธตเธขเธเธซเธเนเธงเธขเธ—เธธเนเธก เธเธฑเธเธเธธเธเธฑเธเน€เธฃเธตเธขเธเนเธซเธกเนเธเธซเธฅเนเธญ เนเธซเธกเนเธเธกเธต
เธชเนเธงเธเธช๏ฟฝเธณเธเธฑเธเนเธเธเธฒเธฃเธเธฑเธเธฃเนเธญเธเน€เธเธฅเธเนเธซเนเนเธเน€เธฃเธฒเธฐ เน€เธชเธตเธขเธเธซเธงเธฒเธเธเธฑเธเธงเธฒเธเธญเธฑเธเน€เธเธดเธ”เธเธฒเธ
เธเธงเธฒเธกเธเธฅเธกเธเธฅเธทเธเธฃเธฐเธซเธงเธฒเน เธเน€เธชเธตเธขเธเธเธญเธเนเธเธฃเธฒเธเธเธฑ เนเธซเธกเธเน เน€เธฃเธขเธต เธเธงเนเธฒเน€เธชเธขเธต เธเน€เธเธฒเน เนเธซเธกเนเธ
	 4. เธเธดเนเธ เธกเธต 1 เธเธนเน เน€เธเนเธเน€เธเธฃเนเธทเธญเธเธ๏ฟฝเธณเธเธฑเธเธเธฑเธเธซเธงเธฐ เนเธเนเธเธนเนเธเธฑเธเนเธซเธกเนเธ เนเธ”เธขเธกเธธเธกเธซเธเธถเนเธ
เธเธญเธเธฃเธฒเธเนเธซเธกเนเธเธเธฐเธเธเธน เธเธดเนเธเนเธงเน เน€เธงเธฅเธฒเธฅเธนเธเธเธนเนเธ•เธตเนเธซเธกเนเธ เธเธฐเนเธเธกเน เธญเธท เธเนเธฒเธเธซเธเธถเธเน เธ•เธตเธเธเนเธด เนเธเธ”เนเธงเธข
	 3. & 4. Mong and Ching (normally a composite instrument
consisting of a wooden box housing both a double gong [Mong]
and small cymbals [Ching]). The Mong is an important
instrument for the singer and it helps to make the voice of the
singer sound good through its sweet sound. The Ching is part
of the same wooden box that houses the Mong but the Ching
are located on one corner of it, used as a metronome to mark
the tempo of the music.

132</code></pre>
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